"their synthesizer work, skillful guitar leads, and wide instrumentation (including mellotron and piano) the duo prove their own original place within the progressive rock scene today"
Symphonically structured soundscapery searching spatial states is the otherworldly mission of Shining Pyramid, a/k/a British duo Nick Adams (guitars) and Peter Jeal (synthesizers) on this self-titled debut. The all-instrumental work of six tracks is said to be “loosely based” on gothic horror tale “The Shining Pyramid” written by turn-of-the-(20th) century Welsh author Arthur Machen. “Loosely” of course, as there are no lyrical reference points here beyond song titles. Although, the music alone conjures suitably mysterious, occasionally foreboding atmospherics.
Inspired by their affection for '70s progressive music, Adams and Jeal appear to draw chiefly from the cosmically sonorous electronic-symphonic motifs of early Teutonic masters Tangerine Dream, etc. in crafting pieces that move both melodically and impressionistically. Jeal's bouncily rhythmic sequencing is a delightful mainstay beneath synth leads shared with Adams' yearning, (intermittently) texturally coarse guitar.
Particularly noteworthy: heaven-bound melody “Grey Bridge,” the dramatically ominous vibe of “The Myriads Beneath” and three-part, 22-minute closing suite “Annie Trevor/Under the Wild Hills/Pyramid of Fire,” which moves cinematically through contrasting passages toward an aggressively rocking five-minute conclusion.
Striking cover art by Jonathan Adams enhances Shining Pyramid's adventurously escapist undertaking.
We'll watch for voyage No. 2.
John Collinge
Sadly Progression Magazine has suspended publication from issue No. 74 - notice
This website is a great music resource - very pleased wih the review and you can read our interview here.
Interviewer Robert Silverstein has great passion for and dedication to all kinds of rock - so much to read on this site
